![]() He also adapted plays by Calderon, Lope de Vega, Dino Buzzati, and Faulkner's Requiem for a Nun. But his journalistic activities had been chiefly a response to the demands of the time in 1947 Camus retired from political journalism and, besides writing his fiction and essays, was very active in the theatre as producer and playwright (e.g., Caligula, 1944). The man and the times met: Camus joined the resistance movement during the occupation and after the liberation was a columnist for the newspaper Combat. Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest in philosophy (only chance prevented him from pursuing a university career in that field), he came to France at the age of twenty-five. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work. The Editors of Encyclopaedia Britannica This article was most recently revised and updated by Adam Augustyn.Albert Camus (1913-1960) was a representative of non-metropolitan French literature. Camus further argues that with the joyful acceptance of the struggle against defeat, the individual gains definition and identity. If, as for Sisyphus, suicide is not a possible response, the only alternative is to rebel by rejoicing in the act of rolling the boulder up the hill. According to Camus, the first step an individual must take is to accept the fact of this absurdity. ![]() Camus uses the Greek legend of Sisyphus, who is condemned by the gods for eternity to repeatedly roll a boulder up a hill only to have it roll down again once he got it to the top, as a metaphor for the individual’s persistent struggle against the essential absurdity of life. ![]() Influenced by the philosophers Søren Kierkegaard, Arthur Schopenhauer, and Friedrich Nietzsche, Camus argues that life is essentially meaningless, although humans continue to try to impose order on existence and to look for answers to unanswerable questions.
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